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Research and History

Jamie Cooper: Levelling Up
Research and History

Drawing Machines: The Challenge to Authenticity and Authorship
Research and History

Part 4/4: The contrasting ideologies of Cybernetic Serendipity and Software
Research and History

Part 3/4: The contrasting ideologies of Cybernetic Serendipity and Software
Research and History

Part 2/4: The contrasting ideologies of Cybernetic Serendipity and Software
Research and History

Part 1/4: The contrasting ideologies of Cybernetic Serendipity (1968) and Software (1970)
Research and History

Quilting on the margins: a postcolonial perspective.
Research and History

Systems Art and Quilting: Structured Practices and Intersecting Identities
Research and History

VJing and the Canonisation of Video Art
Research and History

Stirling-Maxwell’s Connection to the North Atlantic Slave Trade
Research and History

Changing methods of Interpretation: Barnett Newman’s ‘The Wild’
Research and History

The Glassford Family Portrait and Cultural Value
Research and History

The Use of Style in Art History
Research and History

Artistic Genius? Jasper Johns’ Flag (1954)
Research and History

Slaves Made Glasgow: A survey of Glasgow street names.
Research and History

Beyond the Binary: Postcolonial Cybernetics and Scottish Identity
Research and History

Scottish Nationalism and the Sublime
Research and History

My Second Drawing Machine: Situationism, Play and Detournement
Research and History

Computer Art and the Question of Authenticity: Finding a Hypothesis
Research and History

Margaret Bodin – Authenticity and Computer Art
Research and History

Dutton’s Authenticity in Art
Research and History

Tim Collins: Eco Art Activism
Research and History

Bits in Motion
Research and History

Benjamin’s recipe for authenticity
Research and History

Archiving Software Art
Research and History

Roland Barthes: Myth Today

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