andrewwelsby
About
Articles
Projects
Urban
Rural
People
Quilts
Recent
Jamie Cooper: Levelling Up
Manchester, Gaza and Antonio Gramsci
Drawing Machines: The Challenge to Authenticity and Authorship
Part 4/4: The contrasting ideologies of Cybernetic Serendipity and Software
Part 3/4: The contrasting ideologies of Cybernetic Serendipity and Software
Part 2/4: The contrasting ideologies of Cybernetic Serendipity and Software
Part 1/4: The contrasting ideologies of Cybernetic Serendipity (1968) and Software (1970)
Quilting on the margins: a postcolonial perspective.
Systems Art and Quilting: Structured Practices and Intersecting Identities
Quilting the Colonial Gaze: The Commodification of the Quilts of Gee’s Bend for White Audiences
VJing and the Canonisation of Video Art
Please Sir 2, and the lens of media archeology
Archive: early Ableton works
Printing
Please sir, can I have some more bass?
System Assembly 2.1: Self in the City: Cybernetic Auto-ethnography
In what ways was the non-professional computer artist’s questioning of what counts as art also a challenge to the notion of authorship?
Stirling-Maxwell’s Connection to the North Atlantic Slave Trade
Ideology: How viewers are positioned in relation to garden portraits of wealthy patrons.
Changing methods of Interpretation: Barnett Newman’s ‘The Wild’
The Glassford Family Portrait and Cultural Value
The Use of Style in Art History
Artistic Genius? Jasper Johns’ Flag (1954)
Slaves Made Glasgow: A survey of Glasgow street names.
Beyond the Binary: Postcolonial Cybernetics and Scottish Identity
Scottish Nationalism and the Sublime
My Second Drawing Machine: Situationism, Play and Detournement
Processing the Autistic World through Cybernetics Theory: Literature Review
‘Thinking in Pictures’: Processing the Autistic World through Cybernetics Theory
The Body in Cyberspace
The rise and fall of computer art -1965- 1975
Computer Art and the Question of Authenticity: Finding a Hypothesis
Kuhn versus Popper
Margaret Bodin – Authenticity and Computer Art
Dutton’s Authenticity in Art
Tim Collins: Eco Art Activism
Software Art after Programming – Richard Wright
Reflecting on System Aesthetics
Cybernetics and Art by Edward Shanken
Bits in Motion
Subscribe
Subscribed
andrewwelsby
Sign me up
Already have a WordPress.com account?
Log in now.
andrewwelsby
Subscribe
Subscribed
Sign up
Log in
Report this content
View site in Reader
Manage subscriptions
Collapse this bar
Notifications
andrewwelsby 