andrewwelsby

Articles

Jamie Cooper: Levelling Up

December 17, 2025
Manchester, Gaza and Antonio Gramsci

October 7, 2025
Drawing Machines: The Challenge to Authenticity and Authorship

July 25, 2025
Part 4/4: The contrasting ideologies of Cybernetic Serendipity and Software

July 23, 2025
Part 3/4: The contrasting ideologies of Cybernetic Serendipity and Software

July 23, 2025
Part 2/4: The contrasting ideologies of Cybernetic Serendipity and Software

July 22, 2025
Part 1/4: The contrasting ideologies of Cybernetic Serendipity (1968) and Software (1970)

July 15, 2025
Quilting on the margins: a postcolonial perspective.

July 14, 2025
Systems Art and Quilting: Structured Practices and Intersecting Identities

July 13, 2025
Quilting the Colonial Gaze: The Commodification of the Quilts of Gee’s Bend for White Audiences

June 7, 2025
VJing and the Canonisation of Video Art

May 15, 2025
Please Sir 2, and the lens of media archeology

August 8, 2024
Archive: early Ableton works

August 7, 2024
Printing

August 6, 2024
Please sir, can I have some more bass?

August 5, 2024
System Assembly 2.1: Self in the City: Cybernetic Auto-ethnography

August 5, 2024
In what ways was the non-professional computer artist’s questioning of what counts as art also a challenge to the notion of authorship?

March 4, 2021
Stirling-Maxwell’s Connection to the North Atlantic Slave Trade

April 23, 2020
Ideology: How viewers are positioned in relation to garden portraits of wealthy patrons.

March 13, 2020
Changing methods of Interpretation: Barnett Newman’s ‘The Wild’

August 12, 2019
The Glassford Family Portrait and Cultural Value

August 12, 2019
The Use of Style in Art History

July 29, 2019
Artistic Genius? Jasper Johns’ Flag (1954)

July 25, 2019
Slaves Made Glasgow: A survey of Glasgow street names.

July 8, 2019
Beyond the Binary: Postcolonial Cybernetics and Scottish Identity

September 15, 2013
Scottish Nationalism and the Sublime

May 15, 2013
My Second Drawing Machine: Situationism, Play and Detournement

January 7, 2013
Processing the Autistic World through Cybernetics Theory: Literature Review

November 7, 2012
‘Thinking in Pictures’: Processing the Autistic World through Cybernetics Theory

November 7, 2012
The Body in Cyberspace

May 5, 2012
The rise and fall of computer art -1965- 1975

May 4, 2012
Computer Art and the Question of Authenticity: Finding a Hypothesis

January 9, 2012
Kuhn versus Popper

January 9, 2012
Margaret Bodin – Authenticity and Computer Art

January 9, 2012
Dutton’s Authenticity in Art

January 9, 2012
Tim Collins: Eco Art Activism

January 9, 2012
Software Art after Programming – Richard Wright

January 9, 2012
Reflecting on System Aesthetics

January 9, 2012
Cybernetics and Art by Edward Shanken

January 9, 2012
Bits in Motion

January 9, 2012
Benjamin’s recipe for authenticity

January 9, 2012
Archiving Software Art

January 9, 2012
Roland Barthes: Myth Today

January 9, 2012

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